Moscow musicians and dancers


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Screening of Tokyo Journey in Moscow

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The first public screening of  the film " Tokyo Journey " took place in Moscow on the 25th January 2017. It was with a certain amount of trepidation that I approached the screening partly because the film is not exactly standard fare and the audience was made up of mostly people involved in teaching and disseminating traditional Japanese culture and Japanese Culture in general.
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Evening of Japanese Music in Moscow

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A good day - I have  got  to grips with editing the first part of  The Fairground Booth   film which has been dogging me for some time now. Managed to re edit the script and add in new material to flesh out some of the weak parts of the beginning. It means I should be able to assign the graphics and other material  to where it should go rather than things slipping away from me as I try and make things work.  Working a bit with T's material for his book. He asked me to read the article he wrote for a journal and tell him what I thought about it. Just jotting down some notes now as I go through it. Last night attended a concert and film of a Japanese composer  Yonekawa Toshiko I , who played and composed for the Koto. Magnificent musician, full of sensitivity and richness of expression, tasteful and emotional. Her daughter is now leading the ensemble which played for us at the Moscow conservatory last night. It is a warm up for the bigger co...
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The Fairground Booth update

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Work on The Fairground Booth film proceeding well: My intention is to start a journal which will chronicle the progress of the actual process of editing and producing the film. Blok's aim in writing   The Fairground Booth  is to liberate us from whatever trust may have been placed in traditional theatrical practice. Part of this process involves another form of understanding.  The Fairground Booth  therefore has a visuality or pictorial sense in its graphic unworded movement. Blok wants us to see that out of the chaos emerges a new form or sense of order through the theatrical. The author is introduced  not as a god like creator but as fallible and weak. For Blok, the Cosmos as a subject underpins the apocalypse - as in the fall of the stars and the heavens crashing to earth. The very multilayeredness of themes invokes and multiplies new themes, direction,openings and expansions.
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