Moscow musicians and dancers


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The Old Believers Bell Tower

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I filmed some material at the gatehouse of the ruined church monument on Baumanskaya Ulitsa. It will fit well with the animated material I am working on at the moment. I have been calling this small monument in the centre of Moscow the gatehouse but it is in fact a bell tower The Old Belivers' belltower  A dilapidated, neglected and seemingly, in my eyes, a fallen relative of the Ivan the Great Bell tower in the Kremlin. Why it is left in this state I don't know but in some ways I am glad because it retains a broken or ruined character which resists and persists through the centuries and time. It remains only what it is, nothing more and nothing less, an old weathered survivor form past times, from the times of the old believers in Russia with whom it is associated.  Of course it doesn't look like the Ivan the Great Bell Tower but there is in my mind a closeness or imagined kinship between the two  towers. The pomp and power of the white bell towe...
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The Fairground Booth update

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Work on The Fairground Booth film proceeding well: My intention is to start a journal which will chronicle the progress of the actual process of editing and producing the film. Blok's aim in writing   The Fairground Booth  is to liberate us from whatever trust may have been placed in traditional theatrical practice. Part of this process involves another form of understanding.  The Fairground Booth  therefore has a visuality or pictorial sense in its graphic unworded movement. Blok wants us to see that out of the chaos emerges a new form or sense of order through the theatrical. The author is introduced  not as a god like creator but as fallible and weak. For Blok, the Cosmos as a subject underpins the apocalypse - as in the fall of the stars and the heavens crashing to earth. The very multilayeredness of themes invokes and multiplies new themes, direction,openings and expansions.
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Screening of Tokyo Journey in Moscow

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The first public screening of  the film " Tokyo Journey " took place in Moscow on the 25th January 2017. It was with a certain amount of trepidation that I approached the screening partly because the film is not exactly standard fare and the audience was made up of mostly people involved in teaching and disseminating traditional Japanese culture and Japanese Culture in general.
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