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Showing posts with the label russian avant-garde

Biomechanics - Project - Book and Film

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As I come to the end of  The Russian Theatre Film Series   book already new horizons opening up. Yesterday completed the artwork fro the cover, so all that remains is to proof read the book one more time and check everything over for layouts and other things. I have been tantalizingly speaking to a publisher but still feel I should work at my own pace and within my own resources although it is always worth exploring all the publishing outlets which might be available. Already there are ideas percolating through with regard to  The Fairground Booth book and beyond. As always it is too early to write about this as the ideas themselves are appearing more as clues to developing work. One idea is to do another book about the theatre but only biomechanics. To make it more as an illustrated book with pictures but also text. The black and white tones will make I believe a very good visual impact. Working on this tonight - fleshing out a broad plan and outline with possible...

Encounters with the Russian Avant-garde

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"Encounters with the Russian Avant-garde" is a book by Michael Craig which complements the series of six films made by Michael Craig and Copernicus Films about the Russian Avant-garde of the 1920s and 30s.  Click on link to purchase book:  http://ow.ly/Xxvl305ChZc Fully illustrated including stills from most of the films, it is not only an account or explanation but also an introduction or to be more specific an "encounter" with this exciting phenomenon. The title reflects an active relationship: firstly through the experience of living in Moscow for many years, plus a direct encounter with the buildings, the architecture and the very territory in which much of the avant-garde arose and to some extent still exists. Encounter suggests something more casual, unexpected and unstructured but also a sense of living in the avant-garde and being part of it. After all it was the intention of the Russian Avant-garde to connect with the real lived world and to ‘take art out ...